
Norman Stevens
Catalogue No. 24Signed on the stretcher
Titled label verso
Lord Broughshane
Louvered shutters were a recurring theme in Steven's work from the late 1960s and early 1970s. Paintings, lithographs and screenprints explored the relationship between bright daylight and its effects within. Rarely did he use such startling colours as seen in Fronds.
Hanover Gallery, London 1969
Redfern Gallery, London 1986